This Floating Poo Was Far Too Symbolic! These Are the Television Letdowns of the Year.
As we reflect on the television offerings of the recent year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.
And Just Like That
Where to begin with this love/hate spin-off? Burdened with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the third series started, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator declared this would be the final series. It ended on a bum note; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, viewers undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t let out a little sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the least of this drama's issues. The subject of a very rare zero star review, it was difficult to know where to begin enumerating the problems. The hilariously wooden dialogue? The tedious glorification of wealth and materialism? The seemingly wilful procession of tropes? Performances so bad they felt almost spiteful? Let’s just say “all of the above” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Given the legal troubles, domestic violence allegations and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charming but dismissive egotist.
The Supercomputer Drama
Naturally we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
The Gangster Drama
Shady characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.
Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were many other problems. Mainly that it was just really boring; a conflict over narcotics territory between various London rogues which seemed a bit basic.
The Meghan Markle Series
Given the degree to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised ventures into twee homemaking as intentional provocations. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, largely unearned wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series chose not to explore them. Instead, the experience was akin to reading a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.
The Game Show
It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to live up to something way beyond it.
Too Much
How do you follow a show that defined a generation? The expectation was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the shrewd inclusion of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.
The Maths Genius Thriller
We love the star … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the content creator notorious for explicit escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was way more examination of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to haul her son away from the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.